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| 39: |
From Peter McEvoy in Portsmouth:
If you could have written the score for one movie, what would it have been and why? |
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The Crow, definitely. However, Graeme Revelle did a fantastic job with that score, and there's absolutely no way I could have equalled that, let alone improved upon it. The main theme still brings me out in goosebumps whenever I hear it.
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| 38: |
From James Lewis in Manchester:
Do you think you will ever write music with lyrics, i.e., actual songs? |
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I already have, several in fact. But I'm signed to a label who specialise in instrumental music, so if I ever did anything with those songs they would have to be released either through someone else or independently. To be honest though, I can't see that happening - if I ever write lyrics, they're always really personal.
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| 37: |
From Marcia Garrett in Detroit:
What is your most successful piece of music? |
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The one that's doing really well at the moment is Ephemeris from Edge of Human. There are a couple of other lesser-known tracks which seem to find their way onto compilation albums quite regularly as well (The Plains and Sub-Aqua).
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| 36: |
From Fernando in (not stated):
How it is possible to define the style of music that you make? |
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Good question! I really don't know how I would define it. Some people say it's new-age, some people say it's electronic, some people say it's contemporary classical, and some people say it's symphonic synth. Personally I don't really mind what people call it, I just write what I feel like writing and hope it turns out OK!
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| 35: |
From Carlos Lopez in Spain:
If you could change one piece of music you've written, what would it be and what would you change about it? |
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I'd change pretty much all of Elysian Fields simply because I have better sounds to use these days. I wouldn't change the music or the melodies, just the actual sounds. I'd also have played real flute and sax on Shadow of the Wind if I'd have had those instruments at hand.
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